I
have stumbled upon the musical equivalent of Krush Groove. This is rap without aggression or ego; this is old
school hip-hop revived. Spring Break
with their debut “Tropicaledonia”
have stripped it all back to what made hip-hop one of the voices of youth
culture in the 80s. Songs like “Won’t Go
Away” is a Latin dance mixed with Scottish dance; it’s like if Santana’s “Supernatural” was Scottish. “Rodeo Railroad” is blues mixed with
Native American melodies. Live this track should exude power, with the earthy
hypnotic beat combined with the rusted harmonica. There is a lot of fun on the
record; on “Captain Chaos,” I can
imagine Deadpool rapping to this freestyle. “The Velvet” is elevator music for the non-beige in society. The
happily violent track “Dolphin Puncher”
is a highlight; “So mad you could punch a dolphin” should be on a T-shirt. “Did it Matter” with its positive vibe
but undercurrent indignation about the end of friendship. It could be a single
from the album. “Alone to the Metronome”
with its late 80s club beats but with existentialist lyrics. “Tropicaledonia” is the type of album you
can listen to on a loop and be hypnotised by its simplicity. It’s a good
starting point for a group with lots of potential. Spring Break don’t use samples, they don’t need no stinkin’ samples.
Stuart Ritchie
I just want to comment about your blog title, "The Song Remains The Same." I think it has a lot of impact. It challenges the listeners, gets the hype going. Revolution and stuff. It would be even more challenging, if something different is done. I think you are doing a good work on this project of yours. Kudos to that.
ReplyDeleteThanks for the feedback Gabe. I'm thinking of expanding into music books too.
Delete